This piano has been lovingly cared for and has inspired 3 generations of the same family to grow up with a love of music and musical performance.

Heintzman’s golden age is pretty much the same as Steinway’s – anything from the turn of the century up to the late 1920s, in the “Heintzman and Co” branding, was a high-quality piano that if cared for, is still very much a viable instrument. They had all sorts of interesting design features like agraffes cast directly into the plate and had stellar tuning stability.

Heintzman’s uprights and grands were always known for a pretty big, resonant, earthy tone with a great action and wonderful musical partner for all sorts of musical settings. Heintzman uses a mix of Chinese, European, and North American components. Soundboards are made of spruce and are imported from either Germany or Canada. Heintzman uses Abel or Renner hammers, and bass strings in the premium models are imported from the United States.